Nel Dahl

The 1940s noir-adjacent film at its best (or even second-best: so many great “B” noir films) offers a bountiful set of variations and ambiguity.

Behind the lens that shot Chantal Akerman’s iconic Jeanne Dielman, 23, Quai du Commerce, 1080 Bruxelles (1975) is camerawoman and filmmaker Babette Mangolte.

Two new books celebrate the challenging, unapologetically bizarre work of the writer and painter Leonora Carrington.

It's not merely the nature of the actress's characters that sets her apart, it's the thought-provoking ambiguities she riddles them with.

As she releases her long-awaited Before The Dawn live album, we explore the musician’s longstanding desire to tie together the worlds of music and film.

The Handmaiden is a unique, complex new entry in gothic storytelling that recalls the dense subtext and filmic innovations of its predecessors like Gaslight, a film that seventy years later still confounds viewers.

In Banks’ new video, she menaces her own doppelganger mannequin with uncomfortable intimacy.

Are you ready to experience the tantalizing voices of vampiric legends and monstrous feminine sounds? This collection is the Pandora’s box of all things audibly avant-garde, highlighting almost 40 songs of wild, female-centric gothic rock, postpunk & forgotten horror movie soundtracks.

An inspiration in every direction she went, Amanda Lear was Salvador Dali’s biggest muse, a Studio 54 disco queen, Roxy Music album cover girl, the basis behind Absolutely Fabulous’ Patsy, and much more. But Lear spun the role as decoration for men’s work into a self-mythologized career featuring some of the era’s most indelible imagery and songs...

Akiko Yano is one of music's greatest treasures.

Considered by some as the greatest silent film produced in China, The Goddess exemplifies 1930s Chinese realist filmmaking and remains the showcase of legendary Shanghai film star, Ruan Lingyu.